MUSIC
Georgia Shreve’s Composed Works
available for performance
COMPOSITIONS
Lives of a Woman (2022)
Song cycle for soprano and orchestra
Portraying different facets of and roles in a woman’s life, each song acts as a musical soliloquy evoking the timeless stories of womanhood and the many complexities of the female experience.
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I. A Child in the Morning of Time
II. The Wind
III. The Life of My Dreams
IV. Becoming a Woman
V. New Eyes
VI. November Dreams
VII. Slipping Away
VIII. Last Wishes
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Portraits of the 20th Century: Visions and Voices (2022)
10-part oratorio for choir and orchestra
Shreve’s musical exploration of human tragedies in the 20th Century. The text is largely original, with a number of parts containing quotes from other famous writers and historians.
“Portraits of the 20th Century evokes the significance and timelessness of some of the darkest moments of our last century,” says Georgia Shreve. The year 2000 closed a century during which the maladies and horrors of our civilization stood out in stark relief. The 12th century writing of Hildegard of Bingen contains prescient warnings about the desecration of the environment. The ironic setting of The Art of War by Sun Tzu from the 6th century BC evokes the decades of gruesome war in the 20th. James Agee’s more recent text vividly chronicles the poignant experiences of the depression. In the last two decades alone, we have witnessed the recurrence of all of these nightmares. My oratorio, Portraits of the 20th Century, speaks not just to the last century, but to all centuries.”
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Portrait No 1_Environment
Portrait No 2_The Depression
Portrait No 3_The Art of War
Portrait No 4_Flight
Portrait No 5
Portrait No 6_Silence
Portrait No 7_The Names They Had
Portrait No 8_God Have Mercy
Portrait No 9_History
Portrait No 10_Silence
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Lavinia and Anna Komnene (2021)
World Premiere performance: multimedia, semi-staged concert at Lincoln Center’s Alice Tully Hall on April 26, 2022.
A pair of semi-operatic oratorios giving voice to two strong yet largely unrecognized female figures in early history and literature. The concert, Courageous Women of Antiquity, was conceived with the intention of shining a light on two very different women whose impacts have been historically diminished.
Composer’s Note: From the artwork of prominent artist Barnaby Fitzgerald (son of Robert Fitzgerald, the distinguished, world-renowned translator of the Aeneid) Shreve has created a video of classical imagery re-conceived with a contemporary vision, providing a powerful visual back drop for the performance.
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The Little Prince (2019)
World Premiere – Zankel Hall,
Carnegie Hall; April 2019
Oratorio for Voices and Chamber Orchestra
First published in 1943, The Little Prince is a best loved novella by Saint-Exupéry. Shreve worked here with the brilliant, recent translation by poet Richard Howard and created a visual backdrop composed of Saint-Exupery’s own illustrations for the piece..
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Protopia (2019)
World Premiere – Zankel Hall,
Carnegie Hall; April 2019
Oratorio for Voices and Chamber Orchestra
Shreve coined the word ‘Protopia’ to express visions for the future that are optimistic, idealistic, and altruistic which are coming to life today.
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Four Seasons (2018)
World Premiere – Zankel Hall,
Carnegie Hall; May 2018
A video of several iconic NYC terraces reflecting the change of seasons (made in collaboration with Halstead Wells) set to the Shreve’s Piano Concerto (2015).
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Alice in Wonderland (2018)
World Premiere – Zankel Hall,
Carnegie Hall; April 2018
Oratorio for 4 Soloists and Chamber Orchestra
Georgia Shreve has been fascinated with Alice in Wonderland since childhood. She has strived to capture the innocent absurdity and humor of the story while bringing out the nature of Alice’s quest. The performance featured projections of Dali’s numerous vivid paintings based on the text. Text by Lewis Carroll.
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Easter 1916 (2017)
World Premiere – Weill Recital Hall,
Carnegie Hall; May 2017
Song for Soprano, Tenor, Baritone,
and Chamber Orchestra.
The text by W.B. Yeats intensely reflects the Irish political problems at the time.
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Paradise (2016)
World Premiere – Zankel Hall,
Carnegie Hall; May 2016
Oratorio for Soprano, Tenor, Baritone,
and Chamber Orchestra
This oratorio for soprano, tenor, baritone and chamber orchestra is about Dante and his beloved Beatrice. After passing through Hell and Purgatory, they experience the glories of Paradise and its wondrous sites. They encounter many fascinating characters along the way. The performance featured projections of Dali’s brilliant paintings expressing his vision of story. It is also a hymn to music, beauty, love, human virtues and the ineffable spirit. It still makes sense and has relevance seven centuries after it was conceived.”
The miracle of this final Cantica of the Divine Comedy is that it is at once poetry, autobiography, pilgrimage, travelogue, theology, allegory, history, cosmology, and a treatise on politics, religion, morality, the arts, the imagination, and Dante’s own creative process and development.
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Fantasia on Celtic Themes (2015)
World Premiere – Zankel Hall,
Carnegie Hall; May 2015
Celtic Songs for Soprano, Tenor, and Baritone
Shreve’s studies of Celtic Folk songs (dating back up to 100 years) inspired her to compose this Fantasia. The songs include, Being Here Has Caused My Sorrow, Lad of Lovely Hair, When a Man’s in Love, The Nobleman’s Wedding, and My Darling Ploughman Boy.
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Piano Quartet (1999)
World Premiere – Weill Recital Hall,
Carnegie Hall; May 1999
For Violin, Viola, Cello and Piano.
From the album, “Four Paintings: Contemporary American Composers”
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COLLECTION OF SONGS
So Much Happiness
World Premiere – Zankel Hall,
Carnegie Hall; April 2019
Song for Choir and Chamber Orchestra.
The poem So Much Happiness by Naomi Shihab Nye (1995) captures the composer’s positive spirit as well as her desire to bring more happiness into the world. Text by Naomi Shihab Nye
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Let Us Gather
World Premiere – Zankel Hall,
Carnegie Hall; May 2018
Shreve’s setting of the poem Let Us Gather in a Flourishing Way by Juan Felipe Herrera expresses joy, longing, and optimism, as well as a sense of communion among peoples. Text by Juan Felipe Herrera.
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Fern Hill
World Premiere – Weill Recital Hall,
Carnegie Hall; May 2017
Fern Hill, a poem by Dylan Thomas, opens with the evocation of childhood and follows through to the end of life. Text by Dylan Thomas.
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If on a Winter’s Night
World Premiere – Zankel Hall,
Carnegie Hall; April 2010
A cautionary tale, this noirish, chilling song explores issues of trust when a mysterious traveler suddenly appears in the night. (From her musical Dialogues of the Travelers).
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Margaret
World Premiere – Zankel Hall,
Carnegie Hall; April 2010
Song for Tenor and Piano
Gerard Manley Hopkins’ meditation on grief, longing and loss, set to Shreve’s original music. Text by Gerald Manley Hopkins
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